The bridge itself is quite nice and the attention to detail is obvious. When I got the new Scorpion, I installed it right away. Virgil was fast and responsive and the the bridge was very well packed. Tim's workmanship is meticulous. I have a Zebra with Katalox bridge from David Cunningham Banjoworks. I can't stress this enough, take the time to get your measurements right, from bridge height to string width, playing style, head material, etc. Where Purchased: Directly from the Artist/Machinist. Thanks, Silvio!! I do play clawhammer on Tubaphones so the sound I'm after isn't a PW resonator sound. While browsing the Hangout I saw John Boulding setting up a Buck Creek and it sounded great. Very nice! The individual clarity of each note was noticeably increased from open string up to the 22nd fret. These bridges are not compensated in any way however I have achieved perfect intonation (12th fret harmonic vs 12th fretted note) on all 5 strings, very cool! Let me say that I've used/use many great quality bridges on this banjo over the years. I've rarely taken it off my banjo for more that a few minutes because I like the tone and volume so much. I'd say "more calm" than it was. The bridges sound rather average and unappealing when first installed - it takes a little while being installed and picked to really shine. Some banjos can really benefit from this kind of experimentation. Itis a supernatural creature who haunted Amelia and her son Samuel. Some basic help and starters when you have to write a tribute to someone you love. I swing between clawhammer and up- picking, and not usually on the same banjo. This is a very good enhancement to any radiused fretboard banjo. It's too soon to describe the difference well but i can say that Bart's Teak/Ebony bridge did add more projection and a bitmore clang (that's the scientific term, I believe) in the midrange. I have purchased 3 different ones to experiment with and all of these sound terrific. The Red Maple bridge sounded every bit as good as I experienced the first time around . Makes an annoying buzzing sound when capo as second fret or higher, or when playing hard. -3. Then you go down the neck and have unlimited growl and all the bite you need. HIghly recommend you give him a try. Whats even more interesting is George Keywood is an expert on making millions from the internet. To torment and harm anyone who refuses to believe in him. The notes are very clear. I tried another bridge and bang, it has awsometone. Silvio uses more ebony across the top than most bridge manufacturers, yet the feet are razor thin and efficiently transfer the sound to the head - no dullness whatsoever, and the bass response is fantastic. I had another bridge already on which is very good! It wasn't just my ears !! I then put the bridge on the RK-75, which is the closest thing I have to a flathead Mastertone right now. I got a cheap Asian pot-metal banjo in 2005, then a plain Jane Sullivan Festival in late 2006, then a really nice mahogany Bales in 2013. Banjo is so much brighter sounding now from top to bottom, and as a bonus I found that it's easier to play because I'm not fighting to get thevolume and tone I want. He responded quickly and I made my order. The result with regards too response, sustain and clarity and volume is as expected"phenomenal!" Today, i received a Virgil Lawson New 2014 Design Bullfrog bridge inmaple/ebony., 11/16" standard, 2.2 g. This bridge appears to be somewhat less bulky than previous models. He then slid the Birch in place, and again a huge difference over the bridge I had in it. I am so glad I did. That sounded great to me. It sounds fantastic on my Deering Calico and it helped bring my Goldstar GF85 to life! It has a nice old timey plunk to it, great for clawhammering. I have purchased two KatEyzbridges from Mike Smith. This beat out the Sampson Walnut old wood bridge for tone, although the Sampson did have some good old timey sound to it. I am blown away by the improvement in sound. I've got a couple of these bridges and I really like them. Recommended! He also plays ukulele and mandolin. I measured the distance every string needed to intone correctly. I didn't thing a bridge could make such a difference. My treble problem improved tremendously. My little Recording King is not the most expensive on the block but I believe she sure sounds like it. All my hammer on, pull offs, and slides sound so much cleaner! Amelia is about to kill Samuel, but he manages to trap her and tie her down. Donald New advertised the Custom Made Douglas Fir Spillway Dam Banjo Bridge on BHO and I was attracted to the tightly grained wood shown in the photo I saw. I brought a banjo (Recording King RK80) to Steve over a year ago for a setup. You can't go wrong with this bridge! I hope and pray for their continued success in what I perceive as being not only a business but a calling. Particularly emotional was Sammie changing the lyrics in the last chorus of The Night Before. You can see Maggies shocked reaction. Where Purchased: Through Hangout member along with several other parts. These are worth every penny. Tim Purcell was born on December 7, 1949 in Hastings, East Sussex, England, UK. I put together a maple neck and resonator Mastertone style with a Yates rim and Yates no-hole tone ring. The tone is clear and even from trebles to basses across the strings. Happy picking. I thought of ordering another solid Mystery Wood direct from Bart but decided on the Ebony topped Mystery Wood hoping it might have a more dynamic tone. I used one of my Scorpion bridges on my Sullivan Festival Deluxe and it was a little too keen-sounding and lacked some essential overtones. I settled on a mystery wood bridge, it has had some time to settle in on the Calico and sounds fantastic. My then current bridge was to thick. Like most banjoists, I spend about as much time getting my banjo to sound better than playing it. There was no chipping, denting, unevenness, or roughness of any kind. The new smile bridge increased my volume, which I really didn't need. So I gave Tim a shout. In both cases, good clear articulation, chiming bells at treble, good bass, very sensitive to attack, works well all over the neck. He shipped my custom order within a few days and I love the look and sound of this bridge. It did everything that I wanted it to. It is on my Nechville Galaxy Custom job with tunneled 5th string. He will take these factors, superior materials and superb craftsmanship to produce the exact bridge you need at a very reasonable price with great customer service. clear, richer tones from every string and even the 4th string (which had always seemed a little lacking something in my view) seemed to come alive. These bridges are from 2 - 5 grains (depending on height) and are constructed from old AND CAREFULLY AGED maple. Ba-Ba Dook-Dook-DOOK!The Babadook's chant. Smile and Say Goodbye to see possible family members, friends, co-workers, and associates found from multiple government records, social and public sources. They are also not V-tapered, but a gentle curve perfect for cupping the string. 3. In other words, it had been sitting in its case for nearly 7 years. I also own a standard old maple Kat Eyz and it's great one too, but the McCormick spice factory wood has a special flavor that I've started to prefer. I HAVE TRIED DOZENS OF BRIDGES ON MY PRE WAR AND THIS BRIDGE DOES IT ALL FOR ME.. BALANCED,, SEPARATION OF NOTES, CLARITY AND BOTTOM END.. Anyway, for 75 bucks for the 3 bridges (shipping was dirt cheap) I'd say I got way more than a bargoon. I had to change the bridge of my Recording King RK 80 and Silvio was in my town for a concert. I wouldn't hesitate to recommend Bart to anyone looking for a bridge. I can say one more thing about this little bridge. Upon trying it out the Sampson I was displeasewith the intonation - it seemed to make things worse! The perfect blend of harmonics and balance, it gives my Deeringa really spectacular tone. Just a few of the woods offered are Zebra Wood, Maple, Padauk, Cherry, Rosewood, and Katalox. Fantastic. I am a status-quo kind of guy. Sincerely a customer for life, That helped give me the resistance I needed to get the volume up some, but I lost some of the sweet tone and the highs weren't as apparent. They should be $100 for the time and craftsmanship that goes into these bridges. Besides that, he is my neighbor.he only lives about 45 miles from me! But this one was like a design-build process of which I was a part.Update 30 days after purchase: Bart contacted me about a week after the bridge arrived to see that it met my expectations, I bought another different one just to have in the arsenal. Where Purchased: Elderly Instruments (Online). Boy, couldn't have been more wrong. It's the only bridge I've ever bought that was polished! The bridge was recommended to me by a fellow banjo picker who also owns an arch-top. And overall tone is just fantastic. It seemed smart, and I went along for the ride. Contact Tim Purcell's Bio As an experienced and innovative ICT Management Professional, happily living in Australia's National Capital, Canberra, I've found that work takes place in many arenas - in cafes, in offices and during the many networking functions (that Canberra does so very well). I owe a huge debt of gratitude to Jim and Tim's music for hours of restorative listening so sorely needed in this time of fear and bleakness and loss. The only other banjo I rally had to compare it to that I had actually played were an RK-35 (that sounded 'angrier' to me if that makes sense, and fatter) and my buddy's Goodtime 2. I also didn't have the, with me that I bought it for so I put it on a different. He was extremely helpful in helping me figure out what would work best given my banjos and playing style. records, Lawsuits, Liens, Bankruptcies & sex offender status for Samantha Purcell. Darwin (dont blame him a bit) had begun working with a couple of other groups that had scheduled jobs out into the summer. Attention to detail is all there. I would highly recommend trying out one of his bridges. I've found that with these bridges it actually takes less hand/finger effort to play. Working with Tim was easy, I communicated with him about my banjo, setup info, preferences and what I was looking to achieve. Foxes and Fossils played maybe 3 more jobs in the summer of 2010. One more time! Increased overall volume. 26, 2022. Recently I set the banjos head tension to 91 and this gave me the volume and snap I was looking for. It is installed on an RK35. I've tried four other more expensive "name- brand" maker bridges on it, all of which I've used for years, and this one had the best tone. In the years after I got the Sullivan I have done lots of things to get the best tone such as different strings, heads, straps, picks, Zero-fret, tone enhancers, pickups, D-tuners. It sounds Great! It took about a week to make it to Georgia. We have become fast friends since then. I have had quite a few bridges on the banjo and I have to say this is by far the best one I have used. I was doubtful because 1) I am a beginnerand 2) because my hearing is not what is was. After putting the bridge on, I noticed an immediate improvement in tone, sustain, note separation and just "color" from the banjo. You could'nt deal with a nicer guy than Tim and he has a nice selection of different woods, he'll make them whatever height you want, Crowe spacing,Radius top and bottom, and his workmanship is beautiful. I really like this bridge and am happy to say that David did a fantastic job on this one. After breaking in the strings for a while, I replaced the old Gover with the new Kat Eyz. Well, after playing the heck out of my banjo the last few days and carefully listening to the differences..The new Sullivan Factory Floor bridge is ALL of that plus! Now , after a couple of weeks of playing I could say this bridge tottaly complies in characteristics mentioned on Tim's web page. He is a joy to work with and encourages the best out of teams. Precise manufactured bridge, which produce a fantastic sound! But I have tried bridges before that claimed to be "sweet" or "mellow", and I felt like I sacrificed some sound quality. Once the bridge has opened up, they will bounce back amazingly quick to the "ideal" spot even if the entire banjo hasn't been played for days. I have a few wonderful bridges that give me many of the attributes that I look for. Very clear. Being a native Detroiter I had to have one of these Bridges. Remember pointy side down according to Will. Yes, I am a little bit excited about this bridge! I had a country recording session to do, and knew that the head on the SwallowTail was too stretched out and past its use-by date. My observations are that although the bridge is somewhat smaller than the factory bridge, there is plenty of volume and the notes seem "rounder" and more "civilized", seeming to lose their hard edges.

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